Carl Eldh, Date of Birth, Place of Birth, Date of Death

    

Carl Eldh

Swedish sculptor

Date of Birth: 10-May-1873

Place of Birth: Ă–sthammar, Uppsala County, Sweden

Date of Death: 26-Jan-1954

Profession: sculptor

Nationality: Sweden

Zodiac Sign: Taurus


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About Carl Eldh

  • Carl Eldh (10 May 1873 – 26 January 1954) was a Swedish artist and sculptor.
  • Full name: Carl Johan Eldh (signs on artwork as "C.J.
  • ELDH").
  • Older brother to Albert Eldh. Eldh was born in Ă–sthammar Municipality, Uppland, the son of a blacksmith.
  • From 1897 through 1904 he studied sculpture at the AcadĂ©mie Colarossi in Paris, where the French sculptor Auguste Rodin inspired him greatly.
  • His first works were characterized by softer forms, but by 1916 he had developed a powerful realistic style, as with the Strindberg Monument in TegnĂ©rlunden in Stockholm.
  • Strindberg was a frequent subject for Eldh. Carl Eldh ranks along Carl Milles with the most popular Swedish sculptors of the first half of the 20th Century.
  • Eldh also produced architectural sculpture with renowned Swedish architects, among them Ivar Tengbom, Erik Lallerstedt and Ragnar Ă–stberg.
  • Ă–stberg designed Eldh's own studio in Bellevue Park, in the north of Stockholm, in 1918.
  • And through Ă–stberg, Eldh received the 1923 contract for park sculptures for the Stadshuspark. Adjacent to Stockholm City Hall, between the building and the shore of Lake Mälaren's shore, the park stands with Eldh's ensemble representing the three artists, August Strindberg for Authors, Gustaf Fröding for Poets, and Ernst Josephson for Painters, as well as Eldh's bronze sculptures "SĂĄngen" and "Dansen" ("The Song" and "The Dance").
  • The nakedness of the statues initially caused strong protests. Eldh’s major public works include the grand statue of Strindberg in Stockholm and the Branting Monument, also in Stockholm, which was first executed in plaster around 1930 and completed in 1952. The Carl Eldh studio in Bellevue is now a public museum, "Carl Eldh AteljĂ©museum", with two studio rooms stocked from floor to ceiling with drawings, sculptures, tools and other personal belongings.
  • A visit reflects not on the creative activity of an individual sculptor, but allows direct study of his era.

Read more at Wikipedia