Since then, due also to the support of the principal violin players of Torino, Giovanni Battista Polledro and Giuseppe Ghebart, Pressenda's reputation was firmly established and he produced a consistent number of instruments.
It seems that in the French workshop he learned not only violin making technique but also workshop management, since he always relied on the assistance of various collaborators, including François Calot, Pierre Pacherel and Giuseppe Rocca.
Pressenda died in Torino on December 12, 1854 (in loneliness and poverty).
He ranks amongst the most important violin makers from the Turin School.