The action of the play turns on the love of Gerald, son of the traitor Ganelon, for the daughter of Roland.
The patriotic subject and the nobility of the character of Gerald, who renounces Berthe when he learns his real origin, procured for the piece a great success.
The conflict between honor and love and the grandiose sentiment of the play inevitably provoked comparison with Corneille.
The piece would indeed be a masterpiece if, as its critics were not slow to point out, the verse had been quite equal to the subject.
Among the numerous other works of de Bornier should be mentioned: Dmitri (1876), libretto of an opera by Victorin de Joncières; and the dramas, Les Noces d'Attila (1880) and Mahomet (1888).
The production of this last piece was forbidden in deference to the representations of the Turkish ambassador.
Henri de Bornier was critic of the Nouvelle Revue from 1879 to 1887.