She also made a number of short films and worked on Raymond Depardon's Une Femme en Afrique.
She made her first feature as a director in 1991, Beggars and Nobles, which she also co-produced.
It could be argued that most of her documentaries reveal deep interest in Egyptian history and a keen desire to shed light on its past civilizations with the ultimate aim of instructing the new generation.
In Dahsha, for instance, she traces the history of wooden boats used by the ancient Egyptians until modern times.
In El Zaher District (Hay el Daher), she sheds light on the history of that district in Cairo, which was established by the Sultan Zaher Bibars in the thirteenth century.
Her fascination with the Islamic civilization is evident in her work on the Fatimids and the Ayubbids.
While filming Mathaf al Iskandariya, a documentary about the Greco-Roman Museum in Alexandria, El Bakry filmed the recovery of what were thought to be remains of the Pharos of Alexandria.
After finding that works to stabilize the adjacent Citadel of Qaitbay were destroying ancient artifacts, she went public with her concerns, forcing the Egyptian authorities to stop their works.