Pierre Daura (in Catalan: Pere Francesc Daura i Garcia February 21, 1896 – January 1, 1976) was a Catalan artist.
He was born on Menorca, Balearic Islands, Spain, a few days before his parents returned to their home in Barcelona and registered his birth there as February 21, 1896.
In Paris, in 1914, his French identity papers were issued with Pierre as his given name, and that is how he is usually known; however, he is known as Pere where Catalan is spoken.Daura's father, Joan Daura Sendra (or in Spanish: Juan Daura y Sendra), was a musician in the Barcelona Liceu Orchestra and a textile merchant.
His godfather was the famed cellist Pablo Casals.
His mother, Rosa de Lima Garcia y MartĂnez, died when he was seven.
He and two younger siblings, Ricardo and Mercedes, were raised by their father, who never remarried.
Daura received his art education at the Academy of Fine Arts in Barcelona, known as "La Llotja".
He was badly injured and his left hand became permanently useless because of nerve damage.
From 1925 to 1927, Daura and Gustavo Cochet, an Argentine artist, designed and made batik material for couturiers, until fire destroyed their studio and business.
In the 1920s, Daura frequently exhibited with the group Agrupacio d'Artistes Catalans, usually in Barcelona.
Daura designed the group's logo, which appeared on stationary, posters, and the three issues of a review; Torres-Garcia also used it later for his CĂrculo y Cuadrado (a name that also translates as Circle and Square) group in Uruguay.
Many Virginia landscapes he painted during this period were sold at the Gallery Barcino exhibition in Barcelona.In February 1937, at the age of forty-one, Daura joined the Republican militia to fight against General Francisco Franco's forces.
He was forward artillery observer and was seriously wounded on the Teruel Front in August 1937.
Sent home to France to convalesce, Daura was given a medical discharge.
Because he refused to return to Spain after the war, his Spanish citizenship (and Martha's) was revoked by the Franco government, which emerged victorious.
Louise became seriously ill, and in early July 1939 the family made an emergency medical trip to Virginia.
She recovered, but World War II prevented their return to France.
They established permanent residence in Virginia, and Pierre and Martha became naturalized U.S.
citizens in 1943.
Following the war, the family returned to their home in St.
Cirq most summers.
Rockbridge Baths, Virginia is a small village in the foothills of the Allegheny Mountains, near Lexington, named after the warm springs once used as a spa there.
Louise's mother gave her property there, including the springs, and the Dauras used a modest building on the land as a vacation home beginning with their first visit to Virginia in 1934–35.
They also lived at the baths after they came to Virginia in July 1939 until early 1942, when they moved as caretakers to "Tuckaway", an historic property in Rockbridge County near Lexington.
In the late summer of 1945 they moved to Lynchburg, Virginia, where Daura was chairman of the art department at Lynchburg College for the 1945–46 academic year.
He also gave private lessons, instructing a young Cy Twombly in painting.
He taught studio art at Randolph-Macon Woman's College from 1946 to 1953, then returned to painting and sculpture full-time.In 1959, the Dauras built a contemporary house beside the springs at Rockbridge Baths where they lived the rest of their lives.
Louise died November 10, 1972, and Pierre on January 1, 1976.
They are both buried in the cemetery of Bethesda Presbyterian Church in Rockbridge Baths.In the later years of his life, Daura said, "All I have ever wanted to do is to find a way to paint.
I have painted.
I have worked.
I have given myself to my art.
That is what I have wanted since my very early age...
to be an artist, good or bad...
that is what I am." His prolific output of works in many media attest to his lifelong commitment to his art.
Although the main body of Daura's work was strongly rooted in representation and the celebration of nature, he returned to abstract themes throughout his life.
He is included in standard texts on Spanish and Catalan painting and in 33 Pintors Catalans (Barcelona, 1937, reissued 1976) by the art critic Joan Merli.
Before the Spanish Civil War, Daura ambitiously pursued an artistic career.
Subsequently, he created for his own satisfaction, fulfilled commissions, and sold works to support his family.
He did not sell through commercial galleries after leaving Europe in 1939.
Rather, he sold from his home of at exhibitions at academic venues and local art clubs.
In the opinion of his daughter, Martha, traumatic experiences in the Spanish Civil War, followed by the tragedies of World War II, changed his outlook; personal fame ceased to be important.
His work is now included in many private collections, primarily in Barcelona, France and Virginia.
Major collections are also held by some forty-eight museums in France, Spain, and the United States.