The painting also includes an anonymous black woman wearing only a skirt, resembling Josephine Baker, who represents the indigenous colonial people.Bouquet often worked with the architect Michel Roux-Spitz during the inter-war period.
For Roux-Spitz's Hôtel des Postes on the Place Antonin-Poncet in Lyon he contributed a huge mural 54 metres (177 ft) long and covering about 250 square metres (2,700 sq ft) of the lobby wall.
The mural was created between 1935 and 1938 while the hotel was being built.
It allegorically represents the global connections of the city of Lyon, connected by radio waves to cities around the world, and depicts the modernity of the city, with airplanes, ships, trains, hydroelectricity and industry, and everywhere youth.
In reality, Lyon was suffering economically at the time, and the mural represented an optimistic view of the city as it would like to be seen.Louis Bouquet died in Saint-Rambert-l'ÃŽle-Barbe, Lyon on 25 February 1952.