She also recorded two albums, Suzanne Jacob (1979) and Une humaine ambulante (1980).
Her abundant and diverse output has resulted in novels, essays, short stories, poems, commentary, performance pieces, plays, and installations.
Of her work she has said, that from the beginning she has continually tried to use fiction as a way of creating discrepancies, breaks, and uncertainty in the monolithic set of beliefs that surround us, and that without these discrepancies nothing would shake the rigidity of fundamentalism.