Minkus also wrote supplemental material for insertion into already existing ballets.
The most famous and enduring of these pieces is the Grand Pas classique from the ballet Paquita, which was added by Marius Petipa especially for a revival of the ballet staged for the benefit performance of the prima ballerina Ekaterina Vazem in 1881.
For this revival Minkus also composed the Mazurka des enfants (Children's Mazurka) and an expanded edition of the ballet's Pas de trois, which would go on to become known as the Minkus pas de trois
Today, Minkus's music is some of the most performed in all of ballet, and is a most integral part of the traditional classical ballet repertory.