He was born in Mexico (1950.)
A painter in the representational manner.
Metaphor and allegory figure prominently in his oeuvre.
His works are layered with multiple meanings — philosophical, political, spiritual and erotic — frequently offered in a satirical vein with a wicked sense of humor or playful irreverence.
A recurrent motif in de Batuc’s work is the Los Angeles City Hall, presenting this tall narrow structure in ways that invite political, social or even ribald interpretations.
Formally de Batuc is concerned with texture, space, and chiaroscuro.