Athens, 1948) is a Greek author, literary critic and translator.
He studied History and Archeology at the University of Athens, History of Art and Archeology at the University of Paris 1 Pantheon-Sorbonne.
Marangopoulos is a politically committed intellectual (but with no political adherence to any particular party) who has been writing since the early eighties.
Some of his older fiction cult books deal with the Utopian idea of communal love as a means of civil disobedience but those more recent and more widely read deal with a contemporary social context, pictured through known historic facts of political disobedience against state impingement of civil rights.
In seeming contrast to that realist predilection his literary style, though, should not be defined as purely realistic.
A writer who, in some of his older books, has adopted the modernist form of a poème en prose A.M.
Apart from its literary merits the story has ignited a certain discussion and dispute in Greece as to the possible ways of narrating historic facts in literature.
His «French» novel Paul et Laura, tableau d’après nature (Topos books 2017) is inspired by the lives of the intellectual activist Paul Lafargue (1842-1911, best known for his polemic essay The Right To Be Lazy) and his wife Laura Marx (1845-1911).
The mythical life of these two characters who at their old age (Paul 69, Laura 66) decided to die together by a suicide pact is painted in this novel as a concave mirror reflecting the tumultuous development of the European society in the second half of 19th and the beginnings of the 20th century.
The novel is considered by all critics to be the opus magnum of the author: See e.g.
A.
Sainis's review (in Efimerida Syntakton 19.02.17), Efi Giannopoulou's (in Epochi, 24.01.17), Maria Moira's (in Aygi of Sunday, 19.03.17) [See more reviews in Greek and English here].
This last critic has noted on account of this book: «This daring narrative by Aris Maragkopoulos dips decisively into a staggering factual material comprising important historical characters and shocking social contents, multi specific primary sources, indexed information and multiple cross linked time records.
The author, for the sake of the plot fills with sensitivity, respect and creative verve the space between the prominent historical moments that marked the course of our world, giving the historical figures of the central ideological scene a human face and in their daily lives a parallel dimension of plausibility.
He removes the strangeness created by the distance in time and the inevitable mythology, and creates a dense grid of inventive interventions and interstitial links.»
Marangopoulos is considered an authority on James Joyce in Greece.
He has published indeed three books and many articles on the matter.
His most important study, Ulysses, A reader's guide is principally an attempt to explain James Joyce's Ulysses through affinities to its Homeric counterpart, the Odyssey, – affinities clearly exposed for the reader, in richly documented text.
Exegetic suggestions in response to central issues of the Joycean critical literature are also seriously treated in the volume – documented as they are in a thorough textual and intertextual analysis of the original.
His Joycean studies have influenced his critical reading of Greek modern and contemporary prose: his writings over the years ask for a total re-mapping of the reception of literature in Greece.
He has served for two consecutive terms as Secretary Executive of the Hellenic Authors' Society.
His novel Love, Gardens, Ingratitude has been translated into Serbian and has been shortlisted for the National Literary Award of 2002, his Obsession with Spring into Turkish, his short novel Nostalgic Clone into English and various texts and articles into English, French, Turkish and Serbian.
His novel Paul et Laura, tableau d'après nature has been shortlisted for the National Literary Award of 2018.