Eduardo Condorcet (born 24 December 1972 in Coimbra, Portugal) is an actor, musician, theatre, film, transmedia, director, writer and audiovisual editor.
He started working as an actor and musician in 1992 at Lisbon based group Comuna, and in 1995 he graduated in a Cinema specialisation in the Communication Sciences department at the New University of Lisbon.
In the same year he directed his first theatre play (The Soundless Land) and his first fiction film, Jigsaw, a Portuguese-Scottish co-production.
In 1997 he was admitted to the Northern Film School, in Leeds (UK).
While in Great Britain, he directed two films Cigarette, a noir-comedy and, in 1998, Sinful, a formal experience dealing with film non-linear narrative.
1998 ended with the direction of another theatre play, Ulysses, based on the original works by Homer.
In 1999, he spent a period of time in Berlin where he directed the films Diagnose, a gruesome dark comedy and Flaschendrehen, a short film about a family hiding the truth from itself.
The later won the Arcos Short Film Festival prize for best screenplay, in Santiago, Chile in 2000.
In the Autumn of 1999, Condorcet staged Peter Shaffer’s play Black Comedy for the International Outcast Theatre Group, in Munich.
During 2000, he started teaching at the National Theatre and Film School, in Lisbon, lecturing on Narrative and New-Media.
He also produced the first Art and Technology Conference.
In 2001, he finished his Master of Arts at the Northern Film School, with a thesis dedicated to interactive narrative, and released Masken a short Dogma film, for German and French TV channels ARTE, MDR and ORB.
In 2002, his university teaching extended to Scriptwriting for Film, Television, and Interactive Media; Theory of Production; Acting and Directing Actors at the School of Arts of Universidade Católica Portuguesa, Creative Writing at Universidade Autonoma de Lisboa and Narrative and New Media at the Lisbon’s National Theatre and Film School.