Jogen Chowdhury, Date of Birth, Place of Birth

    

Jogen Chowdhury

Indian artist

Date of Birth: 30-Jan-1939

Place of Birth: Faridpur District, Dhaka Division, Bangladesh

Profession: politician, painter

Nationality: India

Zodiac Sign: Aquarius


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About Jogen Chowdhury

  • Jogen Chowdhury (born 16 February 1939) is an eminent Indian painter and considered an important painter of 21st century India.
  • He lives and works in Santiniketan.
  • He graduated from the Government College of Art & Craft, Kolkata and subsequently at École nationale supĂ©rieure des Beaux-Arts, Paris in 1967.
  • He has immense contribution in inspiring young artists of India.
  • Jogen Chowdhury had developed his individual style after his return from Paris.
  • His most famous paintings are in ink, water colour and pastel.
  • He has painted in oil medium as well. Lines and its tactile characteristic to enhance colours is an important material in Indian Art for ages.
  • Jogen Chowdhury himself is a master of lines and he has mastered to make the curves depict the character of his figures.
  • By careful distortion of the form he imparts the air of caricature in his figures, figures of men and women.
  • The figure is always the most important and conveys all the artist has to express.
  • Colour, he uses though, is to provide matter into the form.
  • R.
  • Siva Kumar has lucidly described Jogen's works in the following excerpt:"The pulse and rhythm of Jogen Chowdhury’s art comes from a filial affinity to nature and milieu.
  • In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness.
  • Mnemic displacements and personal associations add to the symbolic ambivalence of his motifs, making his images come closer to inexplicable experiences than to explicit signs.
  • In the postures of some figures we feel an animal sentience, in the ripe anatomy of others we savour a fruity succulence.
  • The figures are wrought by a combination of decorative wilfulness and expressive distortion and are imbued with an effusive sensuality.
  • Chowdhury’s art is rich in suggestions; it is to be apprehended without bracketing our fund of knowledge, experience or memories, but also cannot be narrativised without trivialising it, without depleting its sensory particularities."

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