His mother played leading parts in tragedy, and both his parents enjoyed the protection of Voltaire and the friendship of Lekain.
It was probably under the auspices of the latter that Nicolas Anselme made his first appearance as de Belloy in Gaston et Bayard; and shortly afterwards, under the name of Baptiste, he made a contract to play young lover parts at Arras, where he also appeared in opera and even in pantomime.
From Rouen, where he had three successful years, his reputation spread to Paris and he was summoned to the new theatre which the comedian Langlois Courcelles had just founded, and where he succeeded, not only in making an engagement for himself, but in bringing all his family, father, mother, wife and brother.
This resulted in the pun of calling a play in which they all appeared une pièce de baptistes.
Nicolas soon obtained the public favour, specially in La Martellière’s Robert, chef de brigands, and as Count Almaviva in Bèaumarchais’ La Mere coupable.